{"id":183,"date":"2011-01-03T08:21:24","date_gmt":"2011-01-02T20:21:24","guid":{"rendered":"https:\/\/misterioso.org\/?p=183"},"modified":"2013-01-30T23:18:12","modified_gmt":"2013-01-31T07:18:12","slug":"fare-thee-well-paul-rutherford","status":"publish","type":"post","link":"https:\/\/misterioso.org\/?p=183","title":{"rendered":"Paul Rutherford, Fare Thee Well"},"content":{"rendered":"

\u00a9 Laurence Svirchev<\/span><\/p>\n

\"\"<\/a>Paul Rutherford, the British improvising trombonist, died on August 6,<\/a> 2007<\/span>. He was kind and gentle, fond of sitting in a pub and sipping beer for long hours, discussing music, politics, human frailty, anything that affected the well-being of humanity, especially that of its artists. He held an abiding belief that the practice of improvisation made its practitioners and listeners challenge the existing orders of society.<\/span><\/p>\n

Rutherford was among the first generation of musicians to extend the jazz tradition into the realm of free improvisation. In the early 1970s, he formed and named the groups Iskra 1903 (<\/em>with guitarist Derek Bailey and bassist Barry Guy, later with violinist Philipp Wachsmann replacing Bailey), Iskra 1904 (with saxophonist Evan Parker), and his improvising big band Iskra 1912. Iskra (\u201cSpark\u201d) was the name of a revolutionary anti-czarist newspaper published by Russian exiles between 1900 and 1905. The number 19 in the name referred to 20th<\/sup>-century new music, and the last two digits signified the number of musicians in each group.<\/span><\/p>\n

Paul Rutherford truly revolutionized the trombone as an instrument. He was known as a soloist in the real sense of the word, playing stand-alone trombone. The research is not definitive, but he may have been the first trombonist in the improvising field to create multiphonics by using his voice as well as other blowing devices.<\/span><\/p>\n

He was perhaps best known for his sardonically titled recording The Gentle Harm of the Bourgeoisie <\/em>(1974). Derek Bailey, writing in The Wire<\/em> in 1987, neatly summed up and praised Paul\u2019s approach to music, <\/span>\u201cThis is still the best record of solo free improvising you are likely to find. Maybe, it’s the only one. It’s all done by imagination plus the standard musical abilities; but imagination is the engine, and he keeps it unencumbered by forward planning or systematic devices. He entertains a little strategy, I think, but not too much. It’s a combination of the easy, the difficult and the impossible and it usually happens very quickly.\u201d<\/span><\/p>\n

\"\"<\/a>Rutherford also played in the Globe Unity Orchestra, the London Jazz Composer’s Orchestra and the Mike Westbrook Orchestra, in which he often soloed with the rest of the orchestra hushed. The photo at the top of the Misterioso site shows Rutherford with the Globe Unity Orchestra at its 40 Anniversary in Berlin. He also performed with the Dedication Orchestra, and in a trio with Anthony Braxton and Evan Parker. In 2005, he toured and recorded with tenor saxophonist Ken Vandermark, drummer Dylan van der Schyff, and bassist Torsten M\u00fcller in a group called Hoxha.<\/em><\/span><\/p>\n

For more information on Paul Rutherford\u2019s work, consult:<\/span><\/p>\n

Emanem www.emanemdisc.com\/<\/span><\/a><\/span><\/p>\n

Intakt Records www.intaktrec.ch\/<\/span><\/a><\/span><\/p>\n

FMP Free Music Production www.fmp-online.de<\/span><\/a><\/span><\/p>\n

Spool Music: www.spoolmusic.com\/<\/span><\/a><\/span><\/p>\n

\n

\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a9 Laurence Svirchev<\/p>\n

Paul Rutherford, the British improvising trombonist, died on August 6, 2007. He was kind and gentle, fond of sitting in a pub and sipping beer for long hours, discussing music, politics, human frailty, anything that affected the well-being of humanity, especially that of its artists. He held an abiding . . . → Read More: Paul Rutherford, Fare Thee Well<\/a><\/span><\/p>\n","protected":false},"author":2,"featured_media":1304,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[7],"tags":[],"class_list":["post-183","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-essays","odd"],"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/misterioso.org\/wp-content\/uploads\/2011\/01\/Rutherford-2-crop.jpg","_links":{"self":[{"href":"https:\/\/misterioso.org\/index.php?rest_route=\/wp\/v2\/posts\/183"}],"collection":[{"href":"https:\/\/misterioso.org\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/misterioso.org\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/misterioso.org\/index.php?rest_route=\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/misterioso.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=183"}],"version-history":[{"count":13,"href":"https:\/\/misterioso.org\/index.php?rest_route=\/wp\/v2\/posts\/183\/revisions"}],"predecessor-version":[{"id":1305,"href":"https:\/\/misterioso.org\/index.php?rest_route=\/wp\/v2\/posts\/183\/revisions\/1305"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/misterioso.org\/index.php?rest_route=\/wp\/v2\/media\/1304"}],"wp:attachment":[{"href":"https:\/\/misterioso.org\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=183"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/misterioso.org\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=183"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/misterioso.org\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=183"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}